"Oh, what a happy soul I am, / captionhough I cannot see! / I am resolved that in this world / Contented I will be."
Francis Jane Crosby wrote more than 9,000 hymns, some of which are among the most popular in every Christian denomination. She wrote so many that she was forced to use pen names lest the hymnals be filled with her name above all others. And, for most people, the most remarkable thing about her was that she had done so in spite of her blindness.
"I think it is a great pity
that the Master did not give you sight when he showered so many other gifts
upon you," remarked one well-meaning preacher.
Fanny Crosby responded at once, as
she had heard such comments before. "Do you know that if at birth I had
been able to make one petition, it would have been that I was born blind?"
said the poet, who had been able to see only for her first six weeks of life.
"Because when I get to heaven, the first face that shall ever gladden my
sight will be that of my Savior."
Blinded by a quack
Born in Putnam County, New York,
Crosby became ill within two months. Unfortunately, the family doctor was away,
and another man—pretending to be a certified doctor—treated her by prescribing
hot mustard poultices to be applied to her eyes. Her illness eventually
relented, but the treatment left her blind. When the doctor was revealed to be
a quack, he disappeared. A few months later, Crosby's father died. Her mother
was forced to find work as a maid to support the family, and Fanny was mostly
raised by her Christian grandmother.
Her love of poetry began early—her
first verse, written at age 8, echoed her lifelong refusal to feel sorry for
herself:
Oh, what a happy soul I am,
captionhough I cannot see!
I am resolved that in this world
Contented I will be.
captionhough I cannot see!
I am resolved that in this world
Contented I will be.
How many blessings I enjoy
That other people don't,
To weep and sigh because I'm blind
I cannot, and I won't!
That other people don't,
To weep and sigh because I'm blind
I cannot, and I won't!
While she enjoyed her poetry, she
zealously memorized the Bible. Memorizing five chapters a week, even as a child
she could recite the Pentateuch, the Gospels, Proverbs, the Song of Solomon,
and many psalms chapter and verse.
Her mother's hard work paid off.
Shortly before her fifteenth birthday, Crosby was sent to the recently founded
New York Institute for the Blind, which would be her home for 23 years: 12 as a
student, 11 as a teacher. She initially indulged in her own poetry and was
called upon to pen verses for various occasions. In time the principal asked
her to avoid such "distractions" in favor of her general instruction.
"We have no right to be vain in the presence of the Owner and Creator of
all things," he said.
It was the work of a traveling
phrenologist (one who studies the shape and irregularities of the skull for
insights into character and mental capacity) that changed the school's mind and
again ignited her passion. Though his study is now the ridicule of science, the
phrenologist's words were to prove prophetic: "Here is a poetess. Give her
every possible encouragement. Read the best books to her and teach her the
finest that is in poetry. You will hear from this young lady some day."
Poetry for presidents
It didn't take long. By age 23
Crosby was addressing Congress and making friendships with presidents. In fact,
she knew all the chief executives of her lifetime, especially Grover Cleveland,
who served as secretary for the Institute for the Blind before his election.
Another member of the institute,
former pupil Alexander van Alstine, married Crosby in 1858. Considered one of
New York's best organists, he wrote the music to many of Crosby's hymns. Crosby
herself put music to only a few of hers, though she played harp, piano, guitar,
and other instruments. More often, musicians came to her for lyrics. For
example, one day musician William Doane dropped by her home for a surprise
visit, begging her to put some words to a tune he had recently written and
which he was to perform at an upcoming Sunday School convention. The only
problem was that his train to the convention was leaving in 35 minutes. He sat
at the piano and played the tune.
"Your music says, 'Safe in the
Arms of Jesus,'" Crosby said, scribbling out the hymn's words immediately.
"Read it on the train and hurry. You don't want to be late!" The hymn
became one of Crosby's most famous.
Though she was under contract to
submit three hymns a week to her publisher and often wrote six or seven a day
(for a dollar or two each), many became incredibly popular. When Dwight Moody
and Ira Sankey began to use them in their crusades, they received even more
attention. Among them are "Blessed Assurance," "All the Way My
Savior Leads Me," "To God Be the Glory," "Pass Me Not, O
Gentle Savior," "Safe in the Arms of Jesus," "Rescue the
Perishing," and "Jesus Keep Me Near the Cross."
She could write very complex hymns
and compose music with a more classical structure (she could even improvise
it), but she preferred to write simple, sentimental verses that could be used
for evangelism. She continued to write her poetry up to her death, a month shy
of her ninety-fifth birthday. "You will reach the river brink, some sweet
day, bye and bye," was her last stanza.
Do you have a history? What will posterity read about you? What course will introduce to potential students after your departure? Over a hundred years after departing this crooked world Fanny Crosby is still a shining example to learn from in the journey of life today.
Comments and thoughts are welcome.
Fanny Crosby: the biography of a shining example of the Christian faith
Reviewed by Olusegun Abel
on
4:59 AM
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